Censorship of “Seb Gorka, a Nazi, is collecting your ad dollars”

A new post about a notorious Nazi collecting ad dollars is getting banned by LinkedIn. This is what you see in the post form when you enter the URL:

Try posting this link to LinkedIn

And the following preview is what is reported when you submit the exact same URL to the LinkedIn “Post Inspector”. Quite different:

To be clear, what we’re talking about is Russian military information operations breaching American big data platforms:

…reports point to a broader trend: a mutual affection between Western white supremacists and the Russian government. It also highlights the reality that the distinction between foreign terrorism and so-called domestic terrorism is increasingly irrelevant. Dating back to 2004, David Duke characterized Russia as the “key to white survival,” and American white supremacist Richard Spencer recently identified Russia as the “sole white power in the world.”

I recently wrote about another case. An entire major American news source was censored by an influence operation hitting LinkedIn in order to deny reporting about police lynching blacks (a form of censorship straight out of American history, if you remember the 1837 story of Lovejoy).

Here too is a curious case of speech by good guys in America being censored by… secret pro-Nazi police.

(Historian Pro-tip: I find the term “neo-Nazi” to be a unnecessary wordplay concession to Nazism, since no Nazi would ever say neo-Communist when referring to anyone today they consider a Communist)

The original post is re-posted below for research sake (e.g. you can submit this blog post to LinkedIn without it being censored, despite exactly the same content):

Seb Gorka is a neo-Nazi. This is not an opinion or a personal interpretation. It’s a well-documented fact.

He has worked closely with antisemitic politicians and written for openly antisemitic newspapers. He has publicly worn Nazi insignia. When asked about it, he has said he inherited the insignia on the “merits of [his] father,” who was a member of the Hungarian neo-Nazi group the Vitézi Rend. There is strong evidence that Gorka himself has sworn a lifetime oath to the group.

If that isn’t enough, he publicly incited and encouraged the January 6th insurrection, claiming that “patriots” have “taken over Capitol Hill.” He has also publicly promoted voter fraud disinformation on his website, SebGorka.com.

All this makes him extremely — as we like to say in the advertising biz — brand unsafe. Even YouTube has banned him. But that hasn’t stopped Seb Gorka from running a profitable disinformation outlet. With help from a handful of adtech companies that either don’t know or don’t care about where your ad dollars go, Seb Gorka is cashing in.

How is this happening? There are two ways: an obvious way and a less obvious fraudy way. We’re going to explore both of them here. Grab some popcorn, we’re going to defund a Nazi today, folks!
1. The normal, regular ad placement method (simple!)

Ad placements are the obvious way SebGorka.com makes money. The following companies are serving ads on SebGorka.com, in violation of their own Publisher Policies and Acceptable Use Guidelines:

Criteo (of course)

Taboola

Google

The Trade Desk

How do we know this? We hovered over the ads and took screenshots. You already know how all this works. It gets more interesting from here.
2. The shady revenue-sharing ring method (sketchy!)

SebGorka.com doesn’t just earn money through ad placements.

SebGorka.com also monetizes by using shared DIRECT IDs — an ID meant for one publisher — across a shared pool of unrelated websites. This practice not only artificially inflates its CPM rates (cost per thousand impressions), but also allows it to get paid untraceable sums of money by an LLC.

Let’s break this down together.
Remember ads.txt?

We’ve talked about ads.txt before, but it’s important for us all to understand what a hot mess it really is.

Ads.txt is a protocol developed by IAB Tech Lab to bring transparency to the supply chain. An advertiser should be able to cross-check a publisher’s ads.txt directory against each exchange’s counterpart directory, known as sellers.json. If the data matches up, this tells the advertiser that things are fine.

In theory, these two specs allow advertisers and ad exchanges to verify that their ads are being placed on the correct inventory and that they’re paying the correct company. Here’s what this is supposed to look like when it’s working:
This screenshot is from CredCoalition’s ads.txt research, linked in the intro

In sellers.json, sellers can list themselves as one of three Seller Types (“seller_type”).

Publisher: If a seller is listed as a PUBLISHER, that means

the publisher owns the site

the money you spend is going directly to the publisher

Intermediary: If a seller is listed as an INTERMEDIARY, that means

the seller does not own the website or app which contains the inventory

the seller is paid indirectly for inventory

Both: The seller has been approved by the ad exchange both as a PUBLISHER and INTERMEDIARY.

Why does any of this matter? Because advertisers are willing to pay a premium for DIRECT and PUBLISHER ads because it signals to them that they have 1) a higher quality audience and 2) less potential for fraud.

But in practice, publishers like SebGorka.com have correctly surmised that ad exchanges aren’t performing the necessary checks — which means they’re able to declare themselves DIRECT and PUBLISHER across an unlimited number of websites and funnel the revenues into a single shared account.

In Australia, this is formally recognized as a form of ad fraud, and is illegal. In America, this is still just uh… fraudy.
Here’s what we found in SebGorka.com’s ads.txt

We looked at the DIRECT IDs on SebGorka.com — and it tells us an interesting story:

SebGorka.com is sharing DIRECT IDs with a number of local CBS, ABC, and NBC news affiliates.

Frankly Media LLC appears to be employing these shared DIRECT IDs for lot of publishers. Check out this list of Google results for just one ID.

Frankly Media is owned by Engine Media Holdings, a publicly traded company on Toronto’s TSX Venture Exchange.

And in the middle of it all are the ad exchanges.
Here’s what’s going on in SebGorka.com’s ads.txt

The following companies are allowing mislabeling, which lets publishers get away with misrepresenting themselves and misleads advertisers into thinking they’re paying for direct inventory when the reality is anything but:

RUBICON PROJECT (NOW MAGNITE)

It’s fraudy because: Only publishers should be calling themselves “publishers”. Frankly Media is not a publisher. This could be an attempt to defraud not-so-vigilant buyers and suppliers with poor supply optimization. Also Frankly Media is not a DIRECT seller of SebGorka.com

Let’s continue…

TRIPLELIFT

It’s fraudy because: Frankly Media is not a publisher, and certainly not a publisher of Newsweek. Also Frankly Media is not a DIRECT seller of SebGorka.com

INDEXEXCHANGE

It’s fraudy because: Frankly Inc. (what happened to Frankly Media LLC???) is not a publisher, and certainly not a publisher of 41NBC. Also Frankly Media is not a DIRECT seller of SebGorka.com.

VERIZON MEDIA

It’s fraudy because: Frankly Media LLC is not a DIRECT seller of SebGorka.com.

SOVRN

It’s fraudy because: Frankly Media LLC is not a PUBLISHER of SebGorka.com and Frankly Media LLC is not a DIRECT seller of SebGorka.com

SPOTX (NOW MAGNITE)

It’s fraudy because: Engine Media is not a DIRECT seller of SebGorka.com.
Is Frankly Media LLC a dark pool sales house?

It sure looks like Frankly Media LLC has been going around to all the ad exchange and telling some fibs.

They’ve told some of them that they own and operate SebGorka.com — but they don’t. They’re telling others that they are both PUBLISHER and INTERMEDIARY for SebGorka.com — and that’s not true either (SebGorka.com is owned by Salem Media Group).

But one thing is probably true: Frankly Media LLC and/or its parent company Engine Media Holdings is making payouts to SebGorka.com. But how much? This is where we hit a dead end.

Frankly Media LLC is what we call a dark pool sales house. We don’t know how much it’s earning for SebGorka.com through this revenue-sharing ring and we don’t know how it’s distributing the collective proceeds across its members.

Maybe they have a profit-sharing contract? Maybe they pay out SebGorka.com through yet another shell company? Anyone looking at these records would never know.
So what do we do now?

What we’ve just uncovered is a Nazi infiltrating the adtech supply chain through the very pipelines designed to keep someone like him out of it. If Frankly Media LLC can use the same DIRECT ID across NBC affiliates and a Nazi’s media outlet, we are in trouble.

Last summer when we first reported on ads.txt revenue-sharing, we noted the national security implications of not knowing where our advertiser dollars are being funneled:

One of the reasons that this is still legal, or not explicitly known to be illegal, is that ads.txt is only three years old and there hasn’t been, to our knowledge, any major investigative research into the consequences of its design… Ads.txt is a global standard, used in international markets. This giant security hole opens markets and mediascapes around the world to foreign propaganda, hate groups, money laundering, and, of course, fraud.

If ad exchanges don’t enforce ads.txt, all these problems run rampant.

Once again, it’s up to us, the advertisers, to take charge of our own ads. If you want to keep your ad budgets away from Seb Gorka, you will have to add the website “SebGorka.com” to your exclusion list. You will also need to block Frankly Media and its DIRECT seller ID’s. You can find them at sebgorka.com/ads.txt.

Thanks for reading,

Nandini & Claire

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NOTE: Originally, the first sentence of this post said “Seb Gorka is a Nazi.” We have updated this to read “neo-Nazi” because it is debated whether the word Nazi is a general term for someone’s ideology or if it refers specifically to a member of the historic National Socialist German Workers’ Party of Germany.

What If There Was No Good/Bad Split in Narratives?

Since I was a teenager I’ve preferred watching non-American movies because they aren’t saddled with the boring good/bad split.

Drama becomes exceptionally lame when you are told who is good, who is bad, and then you take an obvious side and wait out the inevitable results.

Nothing is at stake.

This was always one of the first points I made when I was teaching ethics to computer science graduate students.

A simple good/bad binary is like an empty premise, not food for thought; doesn’t come anywhere close to reflecting the messy and hard decisions of the real world.

On that note, here’s an interesting essay that says Robin Hood was transfigured into a moral tale to excite political resistance:

As part of this new nationalist consciousness, other authors started changing the old stories to make a moral distinction between, for example, Robin Hood and the Sheriff of Nottingham. Before Joseph Ritson’s 1795 retelling of these legends, earlier written stories about the outlaw mostly showed him carousing in the forest with his merry men. He didn’t rob from the rich to give to the poor until Ritson’s version – written to inspire a British populist uprising after the French Revolution. Ritson’s rendering was so popular that modern retellings of Robin Hood, such as Disney’s 1973 cartoon or the film Prince of Thieves (1991) are more centrally about outlaw moral obligations than outlaw hijinks. The Sheriff of Nottingham was transformed from a simple antagonist to someone who symbolised the abuses of power against the powerless. Even within a single nation (Robin Hood), or a single household (Cinderella), every scale of conflict was restaged as a conflict of values.

My immediate thought is that this presents a chicken-and-egg dilemma. Were old stories changed only after nationalist consciousness, or did they create it?

I mean these narratives may have changed as a reflection of nationalist consciousness, but that doesn’t preclude narratives from having moral spin. Nor does it preclude moral stories from being messy and complex to stimulate thought instead of obedience.

Overall the essay lacks a lot of oral traditions and mostly centers around Greek literature. It makes no mention of Native American or African stories at all, for example, so I am unconvinced it has a fully researched view.

One clear danger is how a good/bad narrative is a terrible way to practice intelligence, let alone threat detection and mitigation. Some people broadly apply a very precise term like “terrorism”, for example, to be a generic classifier of “bad”:

The terrorism label, for them, is a way of distinguishing who is in the wrong. Brian Jenkins, a leading scholar of terrorism, observed in 1981: ‘Terrorism is what the bad guys do.’

The Bizarre True Story of Where Ransomware Started

This story gets reported again and again every few years, but never with any real depth.

Nobody knows why a “Harvard-taught evolutionary biologist named Joseph Popp” invented ransomware.

Somehow he could afford to send 20,000 floppy discs “in the mail to people including targeted attendees of the World Health Organization’s AIDS conference in Stockholm”.

Not a small bill in 1989.

And reportedly 20,000 was just the first shipment as he had plans for sending even more.

But maybe, just maybe, there’s a big (Harvard-taught) clue:

…he advocated that the marriage age be lowered and young women focus their lives on birthing children…

That suggests he was power hungry, a predator with intent to victimize and control others. Was there a state involved? Was he leveraged by some political group, especially in terms of AIDS research?

Here’s what news looked like in 1990, which is what I mean by a lack of any real depth to the reporting (such as where Popp’s funding came from).

Source: InfoWorld, February 12, 1990