Driver safety in Mogadishu

Interesting spin on some positive changes in Somalia:

A few months ago, Mogadishu’s chaotic roads were ruled by red-eyed, open-shirted militia, speeding along in their technicals – the open vehicles with anti-aircraft guns mounted on the back – weaving from one side to the other to avoid the potholes.

Today, one of the world’s most dangerous cities has been tamed: law-abiding men and women motor along without a gun at their side, keeping steadily to the speed limit, and not daring to swerve for craters.

Why can’t we use our brains to solve the political stalemate instead of fighting?
Female student

This transformation is down to the rule of the Union of Islamic Courts (UIC), which took control of Mogadishu in June and much of southern Somalia since then.

Moving from militant anarchy to stable theocracy clearly has its up-side, but history shows that even stable theocracies are far from a panacea for people’s needs, let alone free from violence or above corruption and prejudice. The UIC is being reported as moderate and perhaps even embracing women’s rights to be educated and join the workforce but, as the saying goes, the proof will be in the pudding.

Diebold says public must be protected from flaws

Another case of pot calling the kettle black? I just found this odd quote in the news:

“The material errors and material misrepresentations are so egregious that HBO should pull the documentary,” Diebold Election System president David Byrd wrote. “Failing that, a pre-airing rebuttal and disclaimer are not only appropriate but also in the best interests of HBO and its subscribers.”

The harm of the HBO documentary is not clear. Critical thinking by the public about democracy and electronic voting systems? If Diebold systems were truly safe to use and secure, they would have nothing to worry about, right? On the other hand, the harm from material errors and material misrepresentations by an electronic voting systems manufacturer would lead to botched elections and undermining the cornerstone of democracy. Should voting systems be “pulled” as soon as egregious errors and misrepresentations about security are found?

Perhaps if Diebold would like to take such a strong position on what constitutes an “egregious” error and misrepresentation by HBO, they could at least see the film?

While Diebold spokesman David Bear said company officials had yet to see the film, he said the firm was never contacted by the filmmakers when they were making the documentary.

[…]

HBO contends that Diebold has confused [Hacking Democracy with VoterGate].

“It appears the film Diebold is responding to is not the film HBO is airing,” [HBO spokesman] Cusson said.

And then perhaps Diebold could also explain why they are still selling electronic voting systems without a paper-trail? Talk about willfully exposing the public to egregious errors…

I believe Ed Felton has made Diebold’s totally flawed logic painfully clear already, so while I welcome their new position on protecting the public, I just wish they held themselves to the same standard.

American Kvass for Sale

A brewer in Pittsburg has claimed to have made the first commercial American Kvass:

For Growlers this week: Big Hop Harvest (will this be the last week?), Black Strap Stout, East End Witte, and for the FIRST TIME ANYPLACE: Session Ale #5, Kvass – the first commercial Russian Bread Beer brewed in the United States!

I love Kvass and wish it were more available outside Europe.

9 parts of desire

Nine Parts looks like it might be really good:

A portrait of the extraordinary (and ordinary) lives of a whole cross-section of Iraqi women: a sexy painter, a radical Communist, doctors, exiles, wives and lovers. This work delves into the many conflicting aspects of what it means to be a woman in the age-old war zone that is Iraq. An unusually timely meditation on the ancient, the modern and the feminine in a country overshadowed by war.

I noted that the star of the show is, in fact, of Iraqi-American decent:

Originally from Michigan, Heather divides her time between New York and Los Angeles. Her father is from Iraq and her mother is American.

The reviews all seem to be favorable, like this one:

The birth of this play almost reads like poetry: In 1993, against the backdrop of gargantuan portraits of Saddam Hussein’s oppressive face, Raffo discovered in an art museum a painting of a nude woman against a barren tree. Her research revealed that the free-spirited and notorious artist Layla Attar had recently been killed in a bombing raid. Thus began a journey that brought her further into her homeland, back into the arms of her relatives and ultimately into the lives of the numerous Iraqi woman who form the backbone of the show. Some plays seem to slip out of a playwright; others clunk. The rare, exceptional ones seem to burst out as an intense gut reaction – Raffo’s Nine Parts of Desire is such a play.