Category Archives: Poetry

“Censorship is essential in wartime, and we are at war.”

A Report on the Office of Censorship from November 1945, by Byron Price (Director), has quite a lot of detail with regard to American culture during 44 months of national censorship operations.

Censorship’s work may be said to divide itself into two separate tasks. The first is to deprive the enemy of information and of tangibles, such as funds and commodities which he can use against our armies and our navies. The second is to collect intelligence of many kinds which can be used against the enemy. No censorship can fail to go dangerously afield unless it holds rigidly and resolutely to these basic purposes.

…the President issued the following statement outlining the bases of Censorship: “All Americans abhor censorship, just as they abhor war. But the experience of this and of all other nations has demonstrated that some degree of censorship is essential in war time, and we are at war.”

With all the news lately circulating about Texas hoarding weirdly pro-slavery revisionist narratives and denying history (e.g. struggle to remove revisionism and restore real history of the Alamo), it’s impossible to say Americans abhor censorship.

Without heavy censorship for example the myth of Davy Crockett finally would die, as historians repeatedly try to reveal he fought for slavery until being caught and executed.

Anyway, there are a lot of details from the WWII Office of Censorship in anecdotes like the following, which make for light reading:

Most of the censors, of course, were women, who traditionally have been preferred for the job.

Why? No more explanation about women is given. Here’s another one:

To prevent the transmission of secret information, the postal censors also had to stop such things as international chess games, for the symbols might or might not be entirely innocent.

I’ve always felt that way about chess. Also this:

One woman tried to get a letter past Censorship by concealing it in a basket of flowers which she carried off a plane at an American airport. She paid a $40 fine for censorship evasion.

Was it really concealed? I mean flowers are kind of unusual and draw attention, especially on a plane. At least she didn’t put the letter inside a bunch of balloons.

Speaking of balloons, Censorship asked Japan’s bombing campaign to be obscured from the people who were targeted until a generic “don’t touch the pretty balloons” warning finally became a compromise.

Late in 1944 voluntary censorship was presented with a unique problem in connected with the landing of Japanese bomb-carrying balloons in the western part of the United States… Censorship asked editors and broadcasters not to mention these incidents unless the War Department officially gave out information. There was complete compliance with this request, even when six persons were killed by one of the bombs in Oregon on May 5, 1945. Stories of the tragedy did not disclose the cause. […] The Japanese received neither information nor comfort about their fantastic scheme to attack the United States.

The Oregon Secretary of State today retells the bomb stories in much detail.

Taken as a whole the report consistently says that censorship must focus tightly on a narrow objective such as fighting against racism, fighting against pandemic and fighting against… I hate that I have to say it… enemies of democracy.

As the Office of Censorship report says on page 11:

It took pains to indoctrinate the censors and those charged with distributing intercepted information with the basic principle that only material having a direct bearing on the war should be reported.

All good food for thought when reading news about Tucker Carlson meeting with authoritarian leader of Hungary, Viktor Orban, before speaking at an anti-democracy gathering in Budapest.

Ace of Spades: Assassination of UN Secretary-General Dag Hammarskjöld

A new podcast with journalist Ravi Somaiya, to promote his book “Golden Thread“, discusses some of the latest thinking on a 1961 assassination of the UN Secretary-General:

Dag Hammarskjöld was called ‘the greatest statesman of our century’ by John F. Kennedy, but he was found dead with an Ace of Spades mysteriously placed on his body. […] In this episode, Dan was joined by award-winning investigative journalist, Ravi Somaiya, who takes him into the depths of this event and the remarkable consequences across the globe.

It’s a good listen on one of my favorite topics in history, but to be honest Ravi spoils it a bit by claiming he only did it because he was bored while working nights in boring New York.

Anyway, accountability for this incident has long been a sore and unresolved topic of white supremacists controlling African liberation from colonialism.

The U.S. refuses to declassify its intelligence files even today, so that gives this particular incident even more of a flair towards conspiracy.

What on earth is going on? Those (UN investigators) who investigate the death of Dag Hammarskjöld do not want to know about Crypto AG and those who report on Crypto AG (The Washington Post) do not mention once the United Nations scandal. We know that the US hold important undisclosed information regarding the Hammarskjöld case and we know that they refuse to share this information with the UN investigators. Why do you think the US has been withholding this information?

See also: Daily Briefing (25 October 2017) DEATH OF DAG HAMMARSKJÖLD: SECRETARY-GENERAL ASKS COUNTRIES TO MAKE ADDITIONAL INFORMATION AVAILABLE

A film recently was released by another journalist, and similar to the Ravi Somaiya book (spoiler alert) he focuses viewers on the narrative of racism.

It seems “white corporate interests exploiting black people” had so much influence over British and American foreign policy that assassination was used on some leaders who tried to get involved in African independence.

With the case still unsolved 50-plus years later, Danish journalist, filmmaker, and provocateur Mads Brügger (The Red Chapel, The Ambassador) leads us down an investigative rabbit hole to unearth the truth. He, his Swedish private-investigator sidekick, and a host of co-conspirators tirelessly pursue a winding trail of clues, but they turn up more mysteries than revelations. Scores of false starts, dead ends, and elusive interviews later, they begin to sniff out something more monumental than anything they’d initially imagined.

Dag Hammarskjöld wrote amazing poetry in the 1960s, but it was the British band Motörhead formed in 1975 who penned the lines…

Pushing up the ante, I know you got to see me,

Read ’em and weep, the dead man’s hand again,

I see it in your eyes, take one look and die,

The only thing you see, you know it’s gonna be,

The Ace Of Spades

The Ace of Spades.

It became a well known implement of psychological warfare, a particular signature promoted by American soldiers in the Vietnam War five years after assassination of Hammarskjold.

Why Driverless Cars Can’t Understand Sand

Sand is a fluid such that driving on it can be hard (pun not intended) even for humans.

It’s like driving on snow or mud, yet it seems to be far less well studied by car manufacturers because of how infrequent it may be for their customer base.

Source: Simulator Game Mods “Summer Forest”. Snow and mud computer driving virtual environments can easily be found, yet sand simulations are notably absent.

Traction control, for example, is a product designed for “slippery” conditions. That usually means winter conditions, or rain on pavement, where brakes are applied by an “intelligent” algorithm detecting wheel spin.

In sand there is always going to be some manner of wheel spin, causing a computer to go crazy and do the opposite of help. Applying brakes, let alone repeatedly, is about the worst thing you can do in sand.

On top of that the computer regulation of tire pressure sensors has no concept of “float” profile required for sand. When the usual algorithm equates around 40psi to safe driving, deflating to a necessary 18psi can turn a dashboard into a disco ball.

The problem is product manufacturers treat core safety competencies as nice to have features, instead of required. And by the time they get around to developing core competencies for safety, they over-specialize and market them into expensive festishized “Rubicon” and “Racing Design” options (let alone “WordPress“).

In other words core complex or dangerous scenarios must be learned for any primary path to be safe, yet they often get put onto a backlog for driverless. Such a low bar of competency means driverless technology is far, far below even basic human skill.

Imagine it like exception handling cases or negative testing being seen as unnecessary because driverless cars are expected only to operate in the most perfect world. In other words why even install brakes or suspension if traveling parallel to all other traffic at same rate of speed, like a giant herd? Or an even better example, why design brakes for a car if the vast majority of time people don’t have to deal with a stop sign?

Recently I put a new car with the latest driverless technology to the test with dry sand. I was not surprised when it became very easily confused and stuck, and it reminded me of the poem “Dans l’interminable” by Paul Verlaine (1844 – 1896).

Dans l’interminable
Ennui de la plaine,
La neige incertaine
Luit comme du sable.

Le ciel est de cuivre
Sans lueur aucune.
On croirait voir vivre
Et mourir la lune.

Comme des nuées
Flottent gris les chênes
Des forêts prochaines
Parmi les buées.

Le ciel est de cuivre
Sans lueur aucune.
On croirait vivre
Et mourir la lune.

Corneilles poussives,
Et vous, les loups maigres,
Par ces bises aigres
Quoi donc vous arrive?

Dans l’interminable
Ennui de la plaine
La neige incertaine
Luit comme du sable…

“The uncertain snow gleams like sand.”

Bailing Sand

the truck transmission whined in protest, the computer gave up. then, bailing away soft flowing sand from our door sills, shovel burning my hands even under a cool moonless starry night… something was truly exhilarating about digging out.

this machine would never understand. sat quietly and waited for rescue by a tool thousands of years old.

in a way, hacking machines is like driving off-road so far that you’ll maybe never make it out again. and that’s why to do it. humans are driven by curiosity, machines are driven by humans.