by Scott Woods
MP3 available on Poetry Slam
Oh, I know what the problem is…
by Henry Wadsworth Longfellow (1807-1882)
(An extract of a performance by Danny Solis can be found on Poetry Slam)
Listen my children and you shall hear
Of the midnight ride of Paul Revere,
On the eighteenth of April, in Seventy-five;
Hardly a man is now alive
Who remembers that famous day and year.He said to his friend, “If the British march
By land or sea from the town to-night,
Hang a lantern aloft in the belfry arch
Of the North Church tower as a signal light,–
One if by land, and two if by sea;
And I on the opposite shore will be,
Ready to ride and spread the alarm
Through every Middlesex village and farm,
For the country folk to be up and to arm.”Then he said “Good-night!” and with muffled oar
Silently rowed to the Charlestown shore,
Just as the moon rose over the bay,
Where swinging wide at her moorings lay
The Somerset, British man-of-war;
A phantom ship, with each mast and spar
Across the moon like a prison bar,
And a huge black hulk, that was magnified
By its own reflection in the tide.Meanwhile, his friend through alley and street
Wanders and watches, with eager ears,
Till in the silence around him he hears
The muster of men at the barrack door,
The sound of arms, and the tramp of feet,
And the measured tread of the grenadiers,
Marching down to their boats on the shore.Then he climbed the tower of the Old North Church,
By the wooden stairs, with stealthy tread,
To the belfry chamber overhead,
And startled the pigeons from their perch
On the sombre rafters, that round him made
Masses and moving shapes of shade,–
By the trembling ladder, steep and tall,
To the highest window in the wall,
Where he paused to listen and look down
A moment on the roofs of the town
And the moonlight flowing over all.Beneath, in the churchyard, lay the dead,
In their night encampment on the hill,
Wrapped in silence so deep and still
That he could hear, like a sentinel’s tread,
The watchful night-wind, as it went
Creeping along from tent to tent,
And seeming to whisper, “All is well!”
A moment only he feels the spell
Of the place and the hour, and the secret dread
Of the lonely belfry and the dead;
For suddenly all his thoughts are bent
On a shadowy something far away,
Where the river widens to meet the bay,–
A line of black that bends and floats
On the rising tide like a bridge of boats.Meanwhile, impatient to mount and ride,
Booted and spurred, with a heavy stride
On the opposite shore walked Paul Revere.
Now he patted his horse’s side,
Now he gazed at the landscape far and near,
Then, impetuous, stamped the earth,
And turned and tightened his saddle girth;
But mostly he watched with eager search
The belfry tower of the Old North Church,
As it rose above the graves on the hill,
Lonely and spectral and sombre and still.
And lo! as he looks, on the belfry’s height
A glimmer, and then a gleam of light!
He springs to the saddle, the bridle he turns,
But lingers and gazes, till full on his sight
A second lamp in the belfry burns.A hurry of hoofs in a village street,
A shape in the moonlight, a bulk in the dark,
And beneath, from the pebbles, in passing, a spark
Struck out by a steed flying fearless and fleet;
That was all! And yet, through the gloom and the light,
The fate of a nation was riding that night;
And the spark struck out by that steed, in his flight,
Kindled the land into flame with its heat.
He has left the village and mounted the steep,
And beneath him, tranquil and broad and deep,
Is the Mystic, meeting the ocean tides;
And under the alders that skirt its edge,
Now soft on the sand, now loud on the ledge,
Is heard the tramp of his steed as he rides.It was twelve by the village clock
When he crossed the bridge into Medford town.
He heard the crowing of the cock,
And the barking of the farmer’s dog,
And felt the damp of the river fog,
That rises after the sun goes down.It was one by the village clock,
When he galloped into Lexington.
He saw the gilded weathercock
Swim in the moonlight as he passed,
And the meeting-house windows, black and bare,
Gaze at him with a spectral glare,
As if they already stood aghast
At the bloody work they would look upon.It was two by the village clock,
When he came to the bridge in Concord town.
He heard the bleating of the flock,
And the twitter of birds among the trees,
And felt the breath of the morning breeze
Blowing over the meadow brown.
And one was safe and asleep in his bed
Who at the bridge would be first to fall,
Who that day would be lying dead,
Pierced by a British musket ball.You know the rest. In the books you have read
How the British Regulars fired and fled,–
How the farmers gave them ball for ball,
From behind each fence and farmyard wall,
Chasing the redcoats down the lane,
Then crossing the fields to emerge again
Under the trees at the turn of the road,
And only pausing to fire and load.So through the night rode Paul Revere;
And so through the night went his cry of alarm
To every Middlesex village and farm,–
A cry of defiance, and not of fear,
A voice in the darkness, a knock at the door,
And a word that shall echo for evermore!
For, borne on the night-wind of the Past,
Through all our history, to the last,
In the hour of darkness and peril and need,
The people will waken and listen to hear
The hurrying hoof-beats of that steed,
And the midnight message of Paul Revere.
I found some fun translations of songs by Nusrat Fateh Ali Khan like Yeh Sham Phir:
Yeah Shaam Phir Nahi Aaye Gi
this evening will not come back againKuch Na Kaha To, Kuch Na Suna To
if nothing is said, nothing is heardYoon Hi Dhal Ja’ay Gi
it’ll just pass awayYeah Shaam Phir Nahi Aaye Gi
Yeah Shaam Phir Nahi Aaye Gi
Kuch Na Kaha To, Kuch Na Suna To
Yoon Hi Dhal Ja’ay Gi
Yeah Shaam Phir Nahi Aaye Gi
Yeah Shaam…Aaj He Ker Do Dil Ki Baat Kal Pachtao Gay
talk about the heart’s affairs today or you’ll regret itAaj Agar Tum Paas Na Aa’ay Phir Kab Aao Gay
if you don’t come close to me today then when will you?Yeah Pal Beet Gaya To Janam Kahan Jao Gay
if this moment passes then, my love, where will you be?Tanhai Ka Dard Kabhi Tum Seh Na Paao Gay
you won’t be able to bear the pain of lonelinessYeah Shaam Phir Nahi Aaye Gi
Yeah Shaam…Dilruba, O Mere Dilruba
my love, oh my darlingKia Kiya, Yeah Tu Nai Kia Kiya
what have you done!Dil Mera Kiyoon Kahan Kho Gaya
why have i lost my heartPal Mein Kiyoon Tera He Ho Gaya
why did it become yours in an instantJanay Kia Nasha Hai Teri Aankhon Mein
who knows what intoxication is in your eyesJadu Sa Bhara Hay Teri Baaton Mein
your words spell magic to meSaansein Teri Mehki Meri Saanson Mein
your breath perfumes my breathTeri Hi Jhalak Mere Khuwaboon Mein
all i see is you in my dreamsTere Siva Hai Kia Dunya Mein Meri Jaan
there’s nothing else in this world other than youTu Hai Meri Zindagi.. Paas Aa
you’re my life…come closerYeah Shaam Phir Nahi Aaye Gi
Yeah Shaam…Aaj Hum, Ay Sanam Aaj Hum
today we’ll…Bhol Ker, Dunya K Runj O Gham
forget all the sadnessYeah Qasam, Qasam Hai Pyaar K
this is a promise of loveSaath Hon, Saath Hon Her Qadam
we’ll be together every step of the wayYoon Hi Teri Aankhon Mein Yeah Aankhein Hoon
with our eyes locked on each otherChooti Chooti Pyaar Bhari Baatein Hoon
and whispering sweet nothings to each otherBheegi Bheegi Rung Bhari Shaamein Hoon
there’ll be colorful moist eveningsJaagi Jaagi Raatein Teri Yaadein Hoon
and nights lying awake thinking of youTere Siva Hai Kia Dunya Mein Meri Jaan
Tu Hai Meri Zindagi.. Paas Aa
Yeah Shaam Phir Nahi Aaye Gi
by Ana Paula Tavares in Lisbon, Angola
These children live free, while the clocks, jammed by bullets, are destined to repeat time, just as the to and fro of bells sounds the cycle of birth and death. They tame the silence, sowing laughter into the folds of day. There is still milk in their laughter, fermenting the hopes of an afternoon. Beyond the doors of houses, the children are exploring the labyrinthine walls. They have a key for everything–even to the stairs that they climb up to reach the sky, bared by a missing roof. They sleep on the ground, parched by bullets, under a sheet of stars that slowly descends until the light is eclipsed and night ushered in.
Interesting contrast. On the one hand I sense boundaries and depleted value in infrastructure, which succumbed to violent disagreement, while on the other a playful adaptiveness and growth that seeks to renew. Confinement versus access.