Category Archives: History

Strange Fruit

MySpace is best when it’s showing off talent. Not just any talent, and definitely not the sort marked by a giant “approved by WalMart” advertisement, but the sort of talent that jumps forth and exceeds expectations. The value of the record industry is turned on its head when you pare back the layers of smarmy marketing, like eschewing the circus in favor of a troubadour act at the local cafe or pub.

Straight, no chaser, in drink terms, Maya Yianni is one of those to watch. I can’t get over the clarity of her voice.

Interesting that she includes videos of her idols on her page, perhaps for comparison. First is Ella Fitzgerald:

She also has Billie Holliday’s rendition of Strange Fruit, a poem by Abel Meeropol (1903 – 1986) written under the pseudonym Lewis Allan:

Southern trees bear strange fruit,
Blood on the leaves and blood at the root,
Black bodies swinging in the southern breeze,
Strange fruit hanging from the poplar trees.

Pastoral scene of the gallant south,
The bulging eyes and the twisted mouth,
Scent of magnolias, sweet and fresh,
Then the sudden smell of burning flesh.

Here is fruit for the crows to pluck,
For the rain to gather, for the wind to suck,
For the sun to rot, for the trees to drop,
Here is a strange and bitter crop.

The hidden irony of this particular song is that while Strange Fruit was popular after Holiday first sang it in a New York club in 1938, the major recording companies refused to produce it. Too controversial for her label, Columbia Records, a small record company (Commodore Records) finally published Holiday’s rendition. Today it is considered her signature song. A recent documentary tells the full story.

Another little bit of trivia is that a record company under the name Strange Fruit was formed in the UK the same year that the poet, schoolteacher and union activist Abel Meeropol passed away.

The Rape of Europa

I just saw this, on the recommendation of a friend, and I have to say it was an excellent film.

The Rape of Europa tells the epic story of the systematic theft, deliberate destruction and miraculous survival of Europe’s art treasures during the Third Reich and World War II.

On the one hand it’s a fascinating modern tale of tragedy. The movie does a fine job working within a narrow band of time. However, I couldn’t help but wonder on the other hand about the larger picture (pun not intended) of conquest throughout the ages. For example, many of the items in modern galleries around the world, such as the British archives, were looted from foreign lands during times of conquest and conflict. But I guess the point is that if we limit our scope to the 1930s and 1940s, the Germans (and maybe the Russians) turned out to be the undisputed bad guys of the (art) world.

Needless to say, the movie also focused in on physical objects of treasure but not the ideas of art or the intellectual capital. Countless brilliant poets and their poems were destroyed, but the film made no mention of their fate…

What’s authentic in Vegas?

I find this story highly amusing.

Nevada has become the latest US state to make it illegal for musicians to falsely claim they are connected to well-known groups.

Perhaps that’s to be expected, but here’s the funny part:

Maxine Porter, manager for original Drifter Bill Pinkney, said: “In a town like [Las Vegas], where you have a constant flow of tourists, this is a place where people expect to have authenticity.

Eh? Vegas is a place where people expect authenticity? Elvis, for example, is a complex case:

The darling of Vegas, the real Elvis himself, was arguably just a tribute act, if not an outright impostor. Prejudice helped facilitate denial of any connection to the well-known (black) groups and artists that he emulated, so it raises interesting questions of how we come to terms with authenticity of an act.

While Elvis rocketed to stardom, resentment grew among talented musicians whose similar-sounding records weren’t getting the same play. The hip swiveling that merely disgusted conservative whites amounted to theft for blacks. More than one player laid claim to Elvis’ gimmicks.

Blues shouter Wynonie ‘Mr. Blues’ Harris told Sepia: “I originated that style 10 years ago. The current crop of shouters are rank impostors. They have no right to call themselves the kings of rock and roll. I am the king of rock and roll.”

In the Atlanta Journal-Constitution, guitarist Calvin New born said Elvis hung out in a black bar outside Memphis where he played. “He would sit there and watch me every Wednesday and Friday night,” he said. “I’d wiggle my legs and swivel my hips and make love to the guitar.”

In 1956, the Amsterdam News said Elvis had “copied Bo Diddley’s style to the letter.”

[…]

“The Elvis that died wasn’t the same Elvis that was coming up”, Chuck D said. “They said he was king. Based on who and what? Based on the quality of the people judging or the quality of his music? What does ‘King of Rock and Roll’ mean growing up in a black household? My Chuck Berry records are still in my house. Little Richard is still in the house. Otis Redding and James Brown. The King of what?”

Certainly not the King of authenticity, but perhaps the King of Vegas.

Global Peace Index and Hacking Tools

Goodbye Big Mac cost-of-living indicators, hello Peace Index:

The Economist Intelligence Unit measured countries’ peacefulness based on wide range of indicators – 24 in all – including ease of access to “weapons of minor destruction” (guns, small explosives), military expenditure, local corruption, and the level of respect for human rights.

[…]

The main findings of the Global Peace Index are:

— Peace is correlated to indicators such as income, schooling and the level of regional integration
— Peaceful countries often shared high levels of transparency of government and low corruption
— Small, stable countries which are part of regional blocs are most likely to get a higher ranking

Lack of corruption? Education? Regional blocs? Ouch. It is like the index was created just to make countries like the US, Israel, Russia and Nigeria look bad.

The US comes in at 96th place, but I am certain someone will try and point out that the top 95 owe their spot to the bad-cop behavior of America. There is no proof of that, of course, any more than a bully in school creates peace in the yard. The underlying problem is one of defining fair governance and representation rather than right by might.

Hard to avoid noticing where Japan and Germany are on the list…near the top.

Speaking of governance and regulation, it appears Germany has just tried to ban “hacking tools”:

On Friday night the German Bundestag – the lower chamber of Germany’s federal parliament – passed without amendment a controversial government bill designed to facilitate criminal prosecution of computer crimes. Only the Left Party voted against it. At a hearing in March security experts and representatives of IT companies raised many objections all of which have been turned down.

It becomes an offence to create, sell, distribute or even aquire so called Hacker Tools that are built to conduct criminal acts like aquiring illegal access to protected data. It is feared by many that this might keep administrators and security experts from doing their job – i.e. from properly testing applications or networks to enhance security while on the other hand the blackhats don’t really care that their choosen tool has been made illegal now. Interestingly a similar clause in the Police and Justice Act amendments to the UK Computer Misuse Act has recently been suspended pending amendment for this very reason.

Another new offence is the unauthorized access of secured data by means that require the disabling or circumventing of security measures. This echoes the circumvention clause of the US Digital Millennium Copyright Act, which is still highly controversial after almost a decade and has been used in ways not anticipated by its creators to stifle legitimate security reaearch.

I’d like to get a copy of that bill…